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Why the Sigma FP2 and Leica M12 Matter for Your Post-Processing Workflow

Why the Sigma FP2 and Leica M12 Matter for Your Post-Processing Workflow

The Camera Landscape Has Fundamentally Changed I’ve been thinking a lot lately about what cameras actually matter in 2024. We’re living in a strange era where dedicated photography devices have become almost niche products. Your smartphone probably takes better pictures in low light than a DSLR from five years ago. Drones dominate aerial work. Action cameras handle adventure sports. And yes, I recently discovered that even a humble spotting scope now ships with imaging capabilities.

Beyond Record and Play: How Photoshop Automation Scripts Actually Save Professional Time

Beyond Record and Play: How Photoshop Automation Scripts Actually Save Professional Time

The task was 200 product images. All of them needed the same crop, the same resize, the same output path. I sat down at 9am and started working through them manually because I hadn’t yet learned to build the solution I needed. By 2pm I had finished maybe 60, my wrist hurt, and I had made three cropping errors I’d have to go back and fix. That afternoon, I opened Google and searched “Photoshop batch processing.

How I Taught Photoshop to Do My Job (And What Happened When I Let It)

How I Taught Photoshop to Do My Job (And What Happened When I Let It)

There’s a specific kind of misery that comes from doing the same crop 200 times in a single afternoon. I know this because I lived it, about fifteen years ago, sitting in a commercial studio in Chicago resizing product images one by one because nobody had set up a proper batch system. By image 140-something I started doing the mental math: at roughly 90 seconds per image, I was burning through time that could have been spent on literally anything else.

Stop Paying Monthly for Photo Editing: A Pro's Walkthrough of Luminar's AI Workflow

Stop Paying Monthly for Photo Editing: A Pro's Walkthrough of Luminar's AI Workflow

I run post-production for ad agencies and e-commerce brands, which means I spend a lot of time inside Adobe’s ecosystem. I also spend a lot of time justifying that cost to clients who see a line item for “software subscriptions” and ask why it never goes away. For years, my answer was basically: there is no serious alternative. Then I watched this tutorial and had to update my answer. Watch the full tutorial on YouTube

Lightroom vs. Photoshop: Building Your Ideal Editing Workflow

Lightroom vs. Photoshop: Building Your Ideal Editing Workflow

Lightroom vs. Photoshop: Building Your Ideal Editing Workflow I’ve been thinking a lot lately about the fundamental question that trips up so many photographers: which tool should I actually use for this edit? It’s a deceptively simple question with profound workflow implications. The Real Distinction Here’s what I’ve come to understand after years of bouncing between these two powerhouses: Lightroom excels at global, non-destructive adjustments, while Photoshop dominates when you need precision control and advanced manipulation.

How to Fake Wet Streets, Stack Weather Overlays, and Actually Understand Blend Modes in ON1 Photo RAW

How to Fake Wet Streets, Stack Weather Overlays, and Actually Understand Blend Modes in ON1 Photo RAW

Last month I was retouching a series of architectural shots for a hospitality client. Beautiful cobblestone courtyard, golden-hour light, the whole thing. Problem was, the stones looked completely flat and dusty on camera. The client’s reference images all had that slick, rain-kissed texture that makes stone surfaces look rich and dimensional. I ended up doing a passable job with a luminosity mask and some manual dodging, but it took longer than it should have, and I knew there was a cleaner path.

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